A fabulous instrument of Pre-War or “Golden-Era”. Capable of touch and sound that impresses on all levels.
⋅ Presenting an unparalleled marvel of musical craftsmanship, the 1929 Balalaika Prima stands as an original masterpiece, bearing testament to the artistry of its author, V. Gizinsky. Fully playable and exuding a soulful timbre with a noble sound, this extraordinary instrument underwent partial, but quality restoration in Japan by D. Naumov (balalaika player, master- luthier, and graduate of the Gnessin Russian Academy of Music in Moscow), ensuring its continued excellence in performance. Crafted with the intent to achieve musical prowess on an academic level scale, it remains a highly sought-after collectible, a rare gem cherished by connoisseurs and enthusiasts alike, for there exists only one of its kind in existence.
⋅ Delving into its storied past, we uncover moments of triumph and tribulation. Crafted entirely by hand in the aftermath of World War I, this instrument found itself amidst the cultural renaissance of the 1930s, gracing the stages of the USSR as a cornerstone of National Balalaika Orchestra. Enduring the passage of time with grace and dignity, it has traversed continents and witnessed history unfold. Recently safeguarded from the ravages of conflict in Kharkov, it serves as a poignant reminder of the resilience of both art and humanity. Its journey from the heart of turmoil to the sanctuary of preservation underscores its significance as not just an instrument, but a living artifact of cultural heritage.
⋅ Imbued with a rich history that echoes through time, this musical instrument tells a story of resilience and passion. Originating from the skilled hands of V. Gizinsky in 1929, it boasts a heritage steeped in tradition and artistry. Notably, Gizinsky, a student of the esteemed S.I. Nalimov and I.I. Galinis, honed his craft meticulously, drawing inspiration from the process of creating the finest balalaikas known to history. The creator of this instrument was a witness of Soviet Bolshevik Revolution and also survived WWI, Soviet NEP, Holodomor Starvation Genocide and WWII, devoted himself to extensive research and experience into the acoustics to bring the most versatile balalaika into 21st Century.
⋅ Beyond its historical pedigree lies a testament to its unparalleled performance and sonic capabilities. Boasting maximum energy from the bridge location and unfettered access throughout the fretboard, this instrument captivates with its incredibly rare and unique sound. Every note resonates with the echoes of a bygone era, offering a glimpse into a world of musical enchantment.
⋅ Furthermore, its technical configuration, meticulously crafted by the author himself, reflects a deep understanding of acoustic principles and a commitment to excellence. Influenced by the techniques of renowned luthiers of the era, each component is carefully calibrated to produce a tone of unparalleled quality, setting it apart as a true masterpiece of its time.
⋅ Despite the passage of nearly a century, it remains in remarkable condition, a testament to the care and dedication of its custodians. While it bears the marks of its age, including signs of play and wear in the varnish, its intrinsic beauty shines through, captivating all who lay eyes upon it.
The interior label: Original, signed by V. Gizinsky
Neck: Original Ovangkol Wood. Partially restored finish by D. Naumov
Fingerboard: Ebony wood. Replaced by D. Naumov matching similar shape and size
Frets: Steel wire
Number of frets: 27
Fret marks: Mother of Pearl. Installed by D. Naumov
Total number of fret marks: 9 and 5
Head: Original Flame Maple Wood with restored finish
Tuners: Original fragments have not been saved. Replaced with a modern style tuning machine
The Nut: Real Elephant Ivory
The Saddle: Real Elephant Ivory
Tuning Pegs: Original fragments have not been saved Replaced with new Mother of Pearl pegs of similar shape and size by D. Naumov
The Bridge: Original fragments have not been saved; replaced with Ebony wood bridge of similar shape and size
The Shell: Original fragments have not been saved; replaced with Rosewood shell of similar shape and size
The Body: Original Pear wood
Number of Staves: 9
The Body: Triangular shape. Original Pear wood
The Deck: Original Cedar wood with restored finish
Other body art accents: original hand painting
The Soundhole: round shape, approx. 2/3 of an inch in the diameter
Wood finish: Resurfaced and coated with Shellac Liquid Blonde
String pins: Real elephant ivory, polished
Number of strings: 3 strings
1st String: Plain steel, gauge 11 1 /2 or 0.29 mm
2nd and 3rd Strings: Carbon, medium tension
Partially restored. Although this instrument has been played for many years, it has been well cared for and kept in an environment with adequate room temps and humidity controlled whenever it was possible. It has normal signs of wear in the wood surface and varnish.
Tuning: A-E-E
Total body length: approx. 27 1/3”.
Total body width: approx. 17”
Total body depth: approx. 4 ½”
Weight: 1 lb. 5 oz.
The balalaika suffered some very minor damage that occurred back during Great Patriotic War in early 1940s such as a small visible crack in the body about 2 ¼ inch long and has been professionally fixed and does not and cannot impact the sound or performing ability. Yet, despite this setback, its original body remains unscathed, a testament to its enduring craftsmanship
This musical instrument consists of similar configurations that were implemented by famous luthiers of that epoch mentioned such as glue mix, cut and press wood, placement technics, etc. to achieve a right tone.
Soft padded bag.
Two new plain steel strings of 11 ½ gauge.
Two new carbon strings of Normal Tension.
A premium hard case made of carbon fiber material for custom fit of this balalaika is $1,000 and can be purchased separately.
Some information stated above was obtained from the previous owner.
Additional information can be provided upon request.
Shipping/ pick-up options are available.
Please feel free to contact with any questions or comments.
USD 4,400